Wednesday, June 23, 2010
The Sean Reid Society
"The Sean Reid society is dedicated to the study of the Irish Union or Uilleann pipes: their music, history, and science. The Society is independent and non-commercial. The Journal's aim is to ensure that the knowledge we have attained since Sean Reid made the statement above is not lost, and that it is published for the use of all with an interest in this most remarkable and advanced musical instrument."
Tuesday, June 22, 2010
DIARMAID & DONNCHA MOYNIHAN
The Lights of Ranzanico
Own Label DMCD001
10 tracks, 40 minutes
www.diarmaidmoynihan.com
This recording is close to perfection. Cork piper Diarmaid Moynihan is one of the most talented players of his generation, and a prolific and respected composer, who gained global recognition with the band Calico. Donncha was also a key component of Calico, playing guitar and bouzouki, after a spell with all-girl group Calando. I think the beard gave him away in the end. Interestingly, his colleague in another band based on long blond hair has just surfaced with The London Lasses: Elma McElligott played flute with Donncha in the group Tassida. Be that as it may, the Moynihan brothers make a tight and intuitive duo here. Diarmaid’s pipes are in fantastic form - just listen to his air Pairc na Marbh, and Donncha’s accompaniment on the following reels is spot on. The guitar on Donncha’s own tune Long Haul Hush perfectly complements Diarmaid’s whistle. I could listen to their duets for the whole album: Diarmaid’s dreamy slow reel Ivory Lady recorded recently by Lúnasa, old reels and jigs incisively played on pipes and whistle, and another of Donncha’s airs on solo guitar. But there’s much, much more here.
First, the Moynihan lads are joined by ace Galician piper Anxo Lorenzo for a stupendous opening track. Tejedor’s great Spanish jig Barralin leads into the title tune (another of Diarmaid’s), and then Mairtin O’Connor’s supercharged Rockin’ the Boat. Somehow, just two pipers manage to sound like a full pipe band on the Breton march Pont de Loudeac. North Cregg’s box-player, Christy Leahy adds his mighty punch to another pair of Diarmaid’s tunes, La Tramontana and Shoulder Dancing, and to a set of traditional reels. There are also some nice touches of trumpet, piano, bass and percussion at various points. In between, Diarmaid delivers another gorgeous slow air and a rather funky reel, and the brothers are joined by their sister Deirdre for a fresh take on the Calico favourite Covering Ground. It’s all stirring stuff, and I can’t see how it could have been better, unless there was more of it.
The Lights of Ranzanico is an album to be seized upon, greedily devoured or lovingly cherished: a highlight of the year.
Alex Monaghan Irish Music Magazine
Own Label DMCD001
10 tracks, 40 minutes
www.diarmaidmoynihan.com
This recording is close to perfection. Cork piper Diarmaid Moynihan is one of the most talented players of his generation, and a prolific and respected composer, who gained global recognition with the band Calico. Donncha was also a key component of Calico, playing guitar and bouzouki, after a spell with all-girl group Calando. I think the beard gave him away in the end. Interestingly, his colleague in another band based on long blond hair has just surfaced with The London Lasses: Elma McElligott played flute with Donncha in the group Tassida. Be that as it may, the Moynihan brothers make a tight and intuitive duo here. Diarmaid’s pipes are in fantastic form - just listen to his air Pairc na Marbh, and Donncha’s accompaniment on the following reels is spot on. The guitar on Donncha’s own tune Long Haul Hush perfectly complements Diarmaid’s whistle. I could listen to their duets for the whole album: Diarmaid’s dreamy slow reel Ivory Lady recorded recently by Lúnasa, old reels and jigs incisively played on pipes and whistle, and another of Donncha’s airs on solo guitar. But there’s much, much more here.
First, the Moynihan lads are joined by ace Galician piper Anxo Lorenzo for a stupendous opening track. Tejedor’s great Spanish jig Barralin leads into the title tune (another of Diarmaid’s), and then Mairtin O’Connor’s supercharged Rockin’ the Boat. Somehow, just two pipers manage to sound like a full pipe band on the Breton march Pont de Loudeac. North Cregg’s box-player, Christy Leahy adds his mighty punch to another pair of Diarmaid’s tunes, La Tramontana and Shoulder Dancing, and to a set of traditional reels. There are also some nice touches of trumpet, piano, bass and percussion at various points. In between, Diarmaid delivers another gorgeous slow air and a rather funky reel, and the brothers are joined by their sister Deirdre for a fresh take on the Calico favourite Covering Ground. It’s all stirring stuff, and I can’t see how it could have been better, unless there was more of it.
The Lights of Ranzanico is an album to be seized upon, greedily devoured or lovingly cherished: a highlight of the year.
Alex Monaghan Irish Music Magazine
Friday, June 18, 2010
Michael Vignoles - Bodhran and Uilleann Pipe maker
Michael Vignoles is one of a rare breed of craftsmen left in Galway, with the musical instruments born from his Claddagh workshop gracing musicians' shelves across the world.
Born and reared on the cusp of Galway Bay, Michael Vignoles was ensconced in music from his first breath. His mother and father were both excellent vocalists with the melodic notes of Frank Sinatra bouncing form all corners of their Claddagh home."
Born and reared on the cusp of Galway Bay, Michael Vignoles was ensconced in music from his first breath. His mother and father were both excellent vocalists with the melodic notes of Frank Sinatra bouncing form all corners of their Claddagh home."
"When I was growing up, I was really heavily influenced by the radio and groups like Planxty, The Chieftains and The Dubliners. When you listen to that every day something is bound to trip your soul and the sound of the pipes from Planxty really caught me.
"In my 20s, Reilly's on Forster Street was a great place to go to for a session. The best musicians would go there. I would go in with my tape recorder and try and learn the tunes from that. I was self taught to start off, I suppose."
After catching the uileann pipe bug, Michael set about getting his own set. It was during this process that he bumped into Eugene Lambe from Fanore, Co. Clare, who introduced him to the art of pipe building.
"In my 20s, Reilly's on Forster Street was a great place to go to for a session. The best musicians would go there. I would go in with my tape recorder and try and learn the tunes from that. I was self taught to start off, I suppose."
After catching the uileann pipe bug, Michael set about getting his own set. It was during this process that he bumped into Eugene Lambe from Fanore, Co. Clare, who introduced him to the art of pipe building.
Wednesday, June 16, 2010
Trad music in Strokestown Park House
Roscommon Arts Centre's traditional music programme, taking place in Strokestown Park House is already a great success and this month will not be an exception. Renowned uilleann piper Tiarnan O'Duinnchinn & harpist Laoise Kelly will play in the galley kitchen of this historic house on Thursday 24th June to the delight of both traditional music enthusiasts and novices.
Tiarnán O'Duinnchinn is an award-winning uilleann piper from Monaghan who started playing the pipes when he was around nine years of age in The Armagh Pipers Club. He has won 4 Fleadh Ceoil (Ist place) All-Ireland titles -and two Oireachtas titles. Tiarnán has been touring and performing professionally on a regular basis since 1995 both as a member of various bands and as a solo performer. His music has taken him to Europe, United States, Asia, Africa, Canada, Japan, New Zealand and Australia. Tiarnán toured extensively with Máire Ní Bhraonáin (Clannad) from 1997-2001 and recorded two albums with Máire during that time. He has recorded with many different artists, between CDs, TV advertisements and his music has featured on two films.
In 2010, Tiarnán recorded on ‘Music of Ireland' in the USA with artists, Seamus Begley, Dónal Lunny, Paul Brady, Shane McGowan (Pogues), Sinéad O Connor, Damien Dempsey, Liam O Maonlaí, Glen Hansard and many more Irish musicians.
Laoise Kelly will play alongside Tiarnan for this session in Strokestown Park House. Laoise is widely acknowledged as one of Ireland's most acclaimed traditional harpers. She has pioneered a new style of traditional harping which has seen her represent Ireland at the World Harp Festival in Paraguay as well as touring in Africa, Japan, Russia, New Zealand, Australia, America and Canada.
She was a founding member of traditional group ‘The Bumblebees' with whom she recorded two albums and toured extensively. Throughout her solo career she has recorded with many of Ireland's foremost artists including The Chieftains, Sinéad O'Connor, Matt Molloy and Mary Black. Her ground-breaking solo album ‘Just Harp' established her as "the most important harper currently playing" (Acousticmusic.com).
This will undoubtedly be a concert not to be missed. More information and booking at Roscommon arts Centre on 090 6625824
Tiarnán O'Duinnchinn is an award-winning uilleann piper from Monaghan who started playing the pipes when he was around nine years of age in The Armagh Pipers Club. He has won 4 Fleadh Ceoil (Ist place) All-Ireland titles -and two Oireachtas titles. Tiarnán has been touring and performing professionally on a regular basis since 1995 both as a member of various bands and as a solo performer. His music has taken him to Europe, United States, Asia, Africa, Canada, Japan, New Zealand and Australia. Tiarnán toured extensively with Máire Ní Bhraonáin (Clannad) from 1997-2001 and recorded two albums with Máire during that time. He has recorded with many different artists, between CDs, TV advertisements and his music has featured on two films.
In 2010, Tiarnán recorded on ‘Music of Ireland' in the USA with artists, Seamus Begley, Dónal Lunny, Paul Brady, Shane McGowan (Pogues), Sinéad O Connor, Damien Dempsey, Liam O Maonlaí, Glen Hansard and many more Irish musicians.
Laoise Kelly will play alongside Tiarnan for this session in Strokestown Park House. Laoise is widely acknowledged as one of Ireland's most acclaimed traditional harpers. She has pioneered a new style of traditional harping which has seen her represent Ireland at the World Harp Festival in Paraguay as well as touring in Africa, Japan, Russia, New Zealand, Australia, America and Canada.
She was a founding member of traditional group ‘The Bumblebees' with whom she recorded two albums and toured extensively. Throughout her solo career she has recorded with many of Ireland's foremost artists including The Chieftains, Sinéad O'Connor, Matt Molloy and Mary Black. Her ground-breaking solo album ‘Just Harp' established her as "the most important harper currently playing" (Acousticmusic.com).
This will undoubtedly be a concert not to be missed. More information and booking at Roscommon arts Centre on 090 6625824
Tuesday, June 1, 2010
Irish Uilleann Pipes.
Gay McKeon plays a slow air & set dance from the playing of the great Leo Rowsome (Musician, Teacher & Uilleann Pipe maker). Recorded in Ned O'Shea's Pub ( The Merchant ) Dublin. This pub is famous for it's set dancing and traditional Irish music sessions.
Gay Mc Keon took an interest in uilleann piping in the 1960's under the tutelage of Leo Rowsome at the Piper's Club on Thomas Street in Dublin's city centre. Understandably, Leo had a profound influence on Gay's playing as did the musicians who would visit the club. Pipers such as Dan O'Dowd, Mick Touhy, Sean Seery, Tommy Reck, Willie Clancy and Peadar Broe. Gay was also heavily influenced by many of the fiddle players who lived and played in Dublin at that time - such as Chieftain, Sean Keane.
At an early age, Gay's interest in slow air playing was encouraged by Dan O'Dowd, Peter Flynn and Matt Kiernan. After Leo Rowsome's death in 1970, Gay sourced much of his repertoire from published collections such as Breathnach's Ceol Rince Na hEireann.
Gay has recorded and toured with artists including Christy Moore, Maddy Prior and June Tabor and has recorded on numerous compilation albums including The Ace and Deuce of Piping Vol. 2 and The Piper's Rock as well as a solo album Irish Piping Tradition, and a trio CD with his two sons Conor and Sean entitled The Dusty Miller. Gay has also produced a number of acclaimed recordings of Uilleann piping for other artistes. Since the mid 1970's Gay has toured and broadcast extensively as a soloist.
Gay is a much sought after teacher and has for many years taught at major summer schools and music festivals, also he has performed on three volumes of the acclaimed tutor series The Art of Uilleann Piping published by Na Píobairí Uilleann. Gay has served on the board of Na Píobairí Uilleann (the organisation of Uilleann pipers) of which he was chairman for several years and is currently Chief Executive of that organisation.
Gay Mc Keon took an interest in uilleann piping in the 1960's under the tutelage of Leo Rowsome at the Piper's Club on Thomas Street in Dublin's city centre. Understandably, Leo had a profound influence on Gay's playing as did the musicians who would visit the club. Pipers such as Dan O'Dowd, Mick Touhy, Sean Seery, Tommy Reck, Willie Clancy and Peadar Broe. Gay was also heavily influenced by many of the fiddle players who lived and played in Dublin at that time - such as Chieftain, Sean Keane.
At an early age, Gay's interest in slow air playing was encouraged by Dan O'Dowd, Peter Flynn and Matt Kiernan. After Leo Rowsome's death in 1970, Gay sourced much of his repertoire from published collections such as Breathnach's Ceol Rince Na hEireann.
Gay has recorded and toured with artists including Christy Moore, Maddy Prior and June Tabor and has recorded on numerous compilation albums including The Ace and Deuce of Piping Vol. 2 and The Piper's Rock as well as a solo album Irish Piping Tradition, and a trio CD with his two sons Conor and Sean entitled The Dusty Miller. Gay has also produced a number of acclaimed recordings of Uilleann piping for other artistes. Since the mid 1970's Gay has toured and broadcast extensively as a soloist.
Gay is a much sought after teacher and has for many years taught at major summer schools and music festivals, also he has performed on three volumes of the acclaimed tutor series The Art of Uilleann Piping published by Na Píobairí Uilleann. Gay has served on the board of Na Píobairí Uilleann (the organisation of Uilleann pipers) of which he was chairman for several years and is currently Chief Executive of that organisation.
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